_Developing a family tree is obviously of great interest to genealogists and family historians, but without knowing ancestors beyond their name, dates, and the people they are connected to, the list becomes just that, a list. On the other hand, what if you knew (even if you’re not a genealogist) that your ancestor lived in a house just around the corner from where Oscar Wilde was visiting a famous actress, Lillie Langtry, who was scheduled to make her American debut in a play in the Park Theatre across the street from where your ancestor conducted business on a daily basis? Or what if your ancestor occupied the apartment just above where a gathering took place denouncing loyalty to President Lincoln during the Civil War? When we look over the information we have gathered as a family historian or genealogist, we find that it is the specific and unique details that breathe life into the names that one has gathered.  Rather than take the view that all people living in the 1800s dressed alike, took part in identical current events, ate the same food, lived in a house that was built in that era, and interacted with no one but their own relatives, why not discover what their personal life was really like?

_ Building the Framework

Before beginning the process of discovery that will bring life to your ancestor the foundation must be laid. This starts with developing the framework of a plan including the choice of a family member who will be the focus individual and the location that is to be searched. While discovering the history of a dwelling, the information may touch on more than one life in the family, but your research should always return to the individual who is the focus of your search. Next, record all the background information beginning with the property street number and name. Locate the designated block and lot numbers which are generally found at the municipal or county clerk and often available online as well. Include the current town, county, and state keeping in mind that town and county lines may have changed over time. Part of your foundation investigation will include searching building records, studying and recording the physical aspects of the architecture and what you observe about its construction and possible alterations.

_Construction Materials

Once you have made a building choice and have your framework in place, a number of resource materials are available to begin constructing your ancestor’s life story including architectural books, municipal archives, online resources, local, county, and state libraries, building records, tax records, city directories, censuses, genealogy databases, architectural resources, and my favorite, newspapers. Organization is essential and knowing/discovering the area history as well as state, country, and world events will enhance your ancestor’s story and possibly dredge up additional questions that need to be explored.  

Finishing Touches

Though there may be several dwellings and/or businesses in your ancestor’s past, as a general rule, each should be researched separately after which consideration should be given as to whether or not the history of the buildings should be woven together. Producing a cohesive story from what can amount to hundreds of pieces of information is an art which is a subject for another blog entry. Throughout future blog entries on this topic, specific steps and tips for how to search some of the individual resources, and breathe life into your ancestor through house histories, will be explained in more detail.

Changes in the New York City skyline occur on a regular basis often without us knowing how it happened. But for every change we see is another which was not allowed to take place. Occasionally ideas die early in the planning stages, but sometimes the death or alteration of an idea takes place after architects and owners have collaborated and money has been spent. How are some plans accepted while others are not? For those who are unfamiliar with the process, you may be surprised that the yea or nay comes through the New York City Landmarks Preservation Commission. Though ninety percent of the 8,000 annually submitted applications are handled by staff, there are some which require a public hearing.

Most likely you will never attend a NYCLPC hearing unless you have a building that is up for alteration, you object to the alteration that your neighbor is making on their building, or you represent a preservation organization.  My attendance was self motivated by my desire to learn more about all aspects of historic properties. I wanted to know who it was that watched over the sea of historic buildings and districts and who it was that could change the face of the city with a thumbs up or decisively keep a building from alterations with a thumbs down.

As I walked into the hearing room on my first visit I felt at least one person must be wondering what committee I was on, what architectural firm I was with, or what position I held with the Commission. It brought a slight discomfort that I was expected to be Someone, but I allowed them to keep guessing as I quietly took my seat and pulled the agenda print-out from my bag. The list of buildings being considered for alterations on a given hearing date is conveniently posted on the NYCLPC website about 3 weeks prior; this gives anyone interested time to look over any proposals that are of interest, visit the properties and view supporting papers the Friday before. 

Presentations & Development

Presentations usually included the tenant/owner and the architect of the building in question. Numerous Coroplast boards covered with photographs of before and after renditions and architectural drawings were displayed and discussed occasionally accompanied by PowerPoint. Commission questions to the presenter followed relating to materials being used, changes in the skyline and street view, architecture and preservation of existing material. A discussion among the Commissioners and an announcement of their determination closed each presentation.

Construction & History of Buildings

Quite a few buildings up for discussion that day were built in the 1800s and the Commission took the time to thoroughly consider things like whether or not the brick that a store owner suddenly discovered behind a façade should remain exposed. Along with learning about the basics of historic building construction, several presenters went through the entire history and evolution of their building. I was able to get a feel for the area in which the building was situated and learned about the people who make up this great city. Some presenters were just doing what was necessary to move on with construction while others were very concerned about the preservation of their building and wanted to gain the Commission’s assistance in alteration designs.

Ongoing

Believe it or not, the Commission runs through this routine 24-26 times three or four times a month. As part of New York House Histories communications, I plan on sharing some of the details of select buildings that come before the Commission. If you are interested in a particular area of the city let me know. In the meantime take a visit to the New York City Landmarks Preservation Commission website at http://www.nyc.gov/html/lpc/html/home/home.shtml  It is an amazing educational experience about those who regulate the city skyline.